Handblown cobalt blue vessel with elongated neck, caught mid-rotation on a turntable
Amber glass bowl with organic undulating rim, luminous against dark background
Clear crystal vase with trapped air bubbles, refracting studio light into prismatic arcs
Emerald green goblet with twisted stem, Venetian-inspired form
Deep red wine glass with hand-pulled foot, glowing under directional kiln light
Studio Glassblowing · Est. 2009

Shaped by breath.Held by light.

Each piece born from a 2,000-degree gather — sand, breath, and gravity conspiring to make something that lasts centuries.

Scroll

From furnace
to annealing kiln.

Each chapter of creation compressed into still frames — the full arc from raw silica to finished light.

Chapter I

Raw Material

Close-up of silica sand and soda ash raw batch materials in ceramic crucible

The Batch

Silica Sand · Soda Ash · Cullet

Open furnace mouth glowing at 2000 degrees Fahrenheit, molten glass visible inside

The Glory Hole

2,100°F

Steel blowpipe and punty rods hanging on rack beside furnace in glassblowing studio

The Tools

Steel Blowpipe · Punty · Jacks

Chapter II

The Forming

Glassblower in leather gloves gathering molten glass from furnace on steel blowpipe

01 · Gathering

The Gather

Artisan shaping molten glass neck with iron jacks tool, glass glowing amber

02 · Forming

Jacks Shaping the Neck

Punty rod cracking clean from base of finished vessel, releasing the piece

03 · Release

The Crack-Off

Chapter III

Finished Work — click to expand

Tall dark vessel with iron oxide surface texture, unique studio piece by Forge

2025 · Unique piece

Cinder Vessel No. 7

Borosilicate with iron oxide colourant

Gold-leaf inclusion chalice catching light, showing trapped metallic flakes inside crystal glass

2025 · Edition of 3

Aureate Chalice

Lead crystal with gold leaf inclusion

Black reactive glass orb with copper reduction surface, showing iridescent metallic sheen

2024 · Edition of 5

Obsidian Orb Series

Black reactive glass, copper reduction

Amber-toned decanter with hand-pulled glass stopper, warm studio lighting

2024 · Unique piece

Ember Decanter

Amber soda-lime, hand-pulled stopper

Curators · Collectors · Designers

Words from those
who know glass.

"The Cinder Vessel series anchored our entire autumn exhibition. Collectors returned specifically to see the Forge pieces — nothing else in the show held light the same way."

Portrait of Margot Ellison, Senior Curator at Meridian Glass Gallery, NYC

Margot Ellison

Senior Curator, Meridian Glass Gallery, NYC

"I placed three Forge vessels in a penthouse on the 52nd floor. The way they hold the sunset — my client calls them the most expensive sunsets she owns."

Portrait of Priya Natarajan, Principal Designer at Natarajan Interiors, Chicago

Priya Natarajan

Principal Designer, Natarajan Interiors, Chicago

"I collect Murano, Lalique, and Forge. The provenance documentation alone sets this studio apart from every other contemporary glassblower I've worked with."

Portrait of Theodore Wainwright III, Private Collector at Boston, MA

Theodore Wainwright III

Private Collector, Boston, MA

"We sourced the Aureate Chalice series for the lobby of our Tribeca development. Every viewing produces the same reaction: people stop mid-sentence."

Portrait of Soo-Jin Park, Art Director at Kestrel Properties, New York

Soo-Jin Park

Art Director, Kestrel Properties, New York

"The Cinder Vessel series anchored our entire autumn exhibition. Collectors returned specifically to see the Forge pieces — nothing else in the show held light the same way."

Portrait of Margot Ellison, Senior Curator at Meridian Glass Gallery, NYC

Margot Ellison

Senior Curator, Meridian Glass Gallery, NYC

"I placed three Forge vessels in a penthouse on the 52nd floor. The way they hold the sunset — my client calls them the most expensive sunsets she owns."

Portrait of Priya Natarajan, Principal Designer at Natarajan Interiors, Chicago

Priya Natarajan

Principal Designer, Natarajan Interiors, Chicago

"I collect Murano, Lalique, and Forge. The provenance documentation alone sets this studio apart from every other contemporary glassblower I've worked with."

Portrait of Theodore Wainwright III, Private Collector at Boston, MA

Theodore Wainwright III

Private Collector, Boston, MA

"We sourced the Aureate Chalice series for the lobby of our Tribeca development. Every viewing produces the same reaction: people stop mid-sentence."

Portrait of Soo-Jin Park, Art Director at Kestrel Properties, New York

Soo-Jin Park

Art Director, Kestrel Properties, New York

"The studio visit changed everything I thought I understood about contemporary craft. Watching a gather become a vessel in under twenty minutes is humbling."

Portrait of James Okafor, Acquisitions Editor at Craft Quarterly, London

James Okafor

Acquisitions Editor, Craft Quarterly, London

"I've been collecting studio glass for thirty years. The Obsidian Orb series is the first work in a decade that made me rearrange my entire display wall."

Portrait of Helena Voss, Independent Collector at Berlin, Germany

Helena Voss

Independent Collector, Berlin, Germany

"Commissioned a bespoke dining set — twelve place settings, each piece unique. The restraint shown in keeping them cohesive without being identical is remarkable."

Portrait of Rafael Monteiro, Interior Architect at Studio Monteiro, São Paulo

Rafael Monteiro

Interior Architect, Studio Monteiro, São Paulo

"Our annual glass prize shortlist always includes at least one Forge piece now. The technical execution at this scale is simply without peer in North America."

Portrait of Diane Ashworth, Director at Corning Museum of Glass

Diane Ashworth

Director, Corning Museum of Glass

"The studio visit changed everything I thought I understood about contemporary craft. Watching a gather become a vessel in under twenty minutes is humbling."

Portrait of James Okafor, Acquisitions Editor at Craft Quarterly, London

James Okafor

Acquisitions Editor, Craft Quarterly, London

"I've been collecting studio glass for thirty years. The Obsidian Orb series is the first work in a decade that made me rearrange my entire display wall."

Portrait of Helena Voss, Independent Collector at Berlin, Germany

Helena Voss

Independent Collector, Berlin, Germany

"Commissioned a bespoke dining set — twelve place settings, each piece unique. The restraint shown in keeping them cohesive without being identical is remarkable."

Portrait of Rafael Monteiro, Interior Architect at Studio Monteiro, São Paulo

Rafael Monteiro

Interior Architect, Studio Monteiro, São Paulo

"Our annual glass prize shortlist always includes at least one Forge piece now. The technical execution at this scale is simply without peer in North America."

Portrait of Diane Ashworth, Director at Corning Museum of Glass

Diane Ashworth

Director, Corning Museum of Glass

Forge
Open studio catalogue spread showing handblown glass vessels with provenance details and pricing

2025 Studio Catalogue

Includes

48 pages · Full dimensions · Materials · Pricing tiers · Commission process

The Studio Catalogue

Take the work
with you.

A hand-designed PDF lookbook — dimensions, materials, provenance notes, and pricing tiers for every current piece. Worth keeping on your desktop long after the tab closes.

48

Pages

34

Pieces

3

Price Tiers